Religious Temporalities and the Ancient City

On 15-16 May we organized the international workshop ‘Religious Temporalities and the Ancient City’

Time might arguably be conceived as an urban invention. At least the measurement of time, such as the division into years, months, weeks and hours, is geared towards a synchronicity aimed at coordinating collective actions and maintaining a healthy urban rhythm. But time is also a religious matter, with calendars marking festival cycles, and the deep sense of time represented by gods and heroes, and the stories told about them. Urban and religious temporalities took on many forms, but who were they for? Who shared in these temporal experiences? How did they contribute to the vibrance of the city?

These are some of the questions that were at the center of the workshop ‘Religious Temporalities and the Ancient City’ held at the University of Groningen, 15-16 May. Keynote speaker was Jörg Rüpke, from the Max-Weber-Kolleg at Erfurt, who opened up several themes on the intersection of divine and human timescapes that were further addressed in the workshop. Sixteen papers were presented, divided into six themes. Festival time was addressed from an urban iconographic perspective (Zahra Newby, Warwick), through a linguistic study of festival revivals (Steven Brandwood, Columbia), and with a focus on the archaeology of the remains deposited from animal sacrifice (Astrid Lindenlauf, Bryn Mawr College). The corporeal experience of time was explored through critical fabulation (Demi Storm, Nijmegen) and the intersection of urban deathscapes with timescapes (Ecem Usumi, Antalya University and Asuman Lätzer-Lasar, Marburg). Representations of temporality and temples was assessed from a close reading of the iconography at the Temple of the Palmyrene Gods at Dura Europos (Nicholas Aherne, Groningen), and of the eponymous role of priests in marking time in the Greek world (Angelika Kellner, Mannheim). Urban temporalities in Asia Minor included the temporal depth of Seleukid ruler cults through genealogies (Thomas Faassen, Groningen), the deep past of Sardis anchored in its temples (Rogier van der Heijden, Freiburg), and the deep time of divine names and epithets in urban foundations (Giuseppina Marano, Pisa). Divine urban foundations in the Greek world was further traced through Pausanias (Greta Hawes, Maquarie), and the perception of ancient cities in Roman Egypt (Lucas Weisser-Gericke, Basel). The last session focused on Christian perceptions, illuminating the role of the night (Despina Iossif, Athens) and Roman Egypt, particularly the Kalends of January as seen by John Chrysostom (Elsa Lucassen, Amsterdam, also Hakan Ozlen, Wisconsin). The venue of the Mennonite church in Groningen provided a relaxed and informal atmosphere in which speakers and members of the audience could engage in fruitful discussions. The overall quality was high and there are plans to publish the workshop. A highlight was the presentation by two students (Nynke ter Heide and Gerthia Luning) from the Groningen MA course ‘Urban Timescapes in the Ancient World’ who presented their story maps that the audience could browse through (link).

MA students Nienke ter Heide and Gerthia Luning giving an impression of their storymaps at the workshop ‘Religious Temporalities and the Ancient City’

The workshop was the product of a collaboration between Sofie Remijsen (University of Amsterdam) and Christina Williamson and Pim Schievink (University of Groningen), this workshop was organized with support  the Groningen Research Institute for the Study of Culture (ICOG) and CRASIS, the interfaculty research institute for the study of the ancient world, and as well as funding from two OIKOS research groups (‘Cultural Interactions in the Ancient World’ and ‘Cities and Settlements’) and  the Netherlands Institute for the Near East (NINO).

For more information, see https://religioustemporalities.wordpress.com

XR Hub: Story Maps and the Reality Theatre

In previous blogs we have discussed ways that we taught story maps in the classroom (Atelier Living Heritage). We have continued this in different editions of this course, creating new story maps each time. Hannah Jonkers joined the last round, helping students learn about story maps.

Story Maps became a central teaching tool in the MA course ‘Urban Timescapes in the Ancient World’, running in 2022 and again in the fall of 2024. In this course we taught students about the importance of areas where time and space come together in meaningful ways in ancient cities, that gave those living there a sense of deep time and a tight connection to place. This was explored through religion, through public monumentalized space, and through funerary monuments – all of these spaces showed many different temporalities to be active, at different scales, and for different audiences.

A central feature of this course, besides story maps, was the use of the Reality Theatre in the Smitsborg CIT complex at the university of Groningen. This gave students an immersive experience which helped them not only understand but also experience for themselves the complex impact that some temporal narratives could have on space. We also had students present story maps of their own as a final assignment, which they got to present in the Reality Theatre too. Besides undergoing the experience, they also learned how to guide others through their narrative.

Maarten Schmaal presenting his Story Map in the Reality Theatre

In 2025 we were asked by the CIT Visualization team to present for a wider audience our approach and use of the Reality Theatre. This was for their ‘XR Hub’, an event in which they showcase projects or facilities that they offer to research. The Urban Timescapes course was selected to be presented on 3 April. I gave a talk entitled on ‘Story Maps and the Reality Theatre: a path from research to educational tool‘, in which I laid out the process that we underwent, from starting out with Story Maps through the grant from the Geodienst, to implement the tool for public outreach, as a research tool, and finally as a teaching tool.

Following this, two students from the 2024-25 course, Nynke ter Heide and Gerthia Luning presented their Story Maps in the Reality Theatre. You can get a view of the story maps here.